Wilfred Owens poetry explores the rude and inhumane nature of war. In Mental Cases Owen juxtaposes the emotional and somatic state of these soldiers with the image of inhumane creatures. Owens uses imagery, personification and juxtaposition to speak the horrors that these soldiers continue to endure after the war.
Mental Cases illustrate the gulf many soldiers face in society. The rhetorical question start the first stanza who are these? labels these soldiers as unearthly all the temporary hookup dehumanising them by accumulating their animalistic features. Descriptions like drooping tongues and baring teething stresss the plight of soldiers who have experienced trauma and are futile to overcome their shock. Owens use of inclusive language in surely we have perished creates a distance between these men and the rest of society as Owen refers to them as hellish.
Depictions of war and accumulated images of remainder in the second stanza answer the rhetorical questions in the first stanza about the origin of these creatures. Death has been personified to emphasise that the memories of the surviving soldiers are tainted with sloughs of flesh of past soldiers whose incalculable murders they once witnessed.
The juxtaposition of treading blood from lungs that had loved laughter highlight that these mental cases were once people who had human value too. The transformation of these soldiers has been due to the effects of war as Owen continues to accumulate images of death in the battlefield through onomatopoeia of batter of guns and shatter of speedy muscles.
The third stanza underlines the significance of shock and trauma in the battlefield for soldiers as they cannot face the reality of countless casualties. The alliteration of fair weather seems a blood-smear conveys the image of their disconnection and suffering of every enactment day. The personification of Dawn breaking open like...If you want to limit a full essay, order it on our website: Orderessay
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