2013/03/11

A Play Can Challenge An Audience

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A play must challenge its interview, otherwise it is postal code more than entertainment. In what ways do 2 of the plays you rescue studied challenge audiences?

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Some people appreciate passing play to the theatre or reading a play passively, in order to evade a reality that does not crap in their favor. But is passivity the key to a literal appreciation of a piece of literature? The key to answer this question is not simply by stating how two work be challenging but by analyzing why they were pen in such a way that passivity is an unbelievable kingdom of mind. In the context of this question, one can determine a challenge as an objection or head as to the truth of something, often with an implicit demand for conclusion or as a task or view that tests someones abilities. It would be interesting to see how two diametrically opposed plays fit both of these definitions. In that, the analysis of Shakespeares Hamlet and Williams A Streetcar Named Desire would answer to explain how a play can challenge the audience intellectually, morally and physically.

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Shakespeare is notorious for his extremely provocative plays, plays that tell a distorted story in order to avoid censure, and moreover, in other not to destabilize the social order. In a ordination where monarchy ruled and freedom of speech or at least literary freedom of speech was not a great priority, authors like Shakespeare tried effortlessly to conjure plots that would jerk the audience and force upon the public a meditative state of mind that would push them to reevaluate the inner workings of society and of the hierarchy. In a play like Hamlet, where the characters main objectives are to climb the social ladder by pushing mop up anyone in their way, one can only hope that the immoral, wrong actions they put into place will shock the audience.

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