The Effective Theory of Communication

The Australian Celtic fete encompasses a large number of cultural values that viewed from a semiotic perspective gain greater importee. Human beings argon meaning-makers and we seek to understand meaning through the creation of signs and our variation of them. Such signs abound at the Celtic fiesta. The festival opens with a welcome ceilidh (Australian 2004). A ceilidh is one of a collection of Celtic dances with distinct gestures, music and dress. For example, the Circassian Circle is a dance where partners spring a large circle round the room, with ladies on the discipline side of their partners. Music that accompanies the dance represents 32 bar Reels, with distinguish adequate to(p) gestures or dance movements occurring at detail bars in the music. For example, in bars 1-4 the dancers join hands in a circle and all advance four steps and so retire four steps. Such dances represent certain meanings to the participants, place them with signs of meaning to Celts. As Chandler (2004) argues, "Signs take the sortings of words, images, sounds, odors, flavors, acts or objects, but such(prenominal) things have no intrinsic meaning and become signs barely when we invest them with meaning" (6).

There is great meaning invested in a number of signs involved in the Celtic Festival. angiotensin converting enzyme such sign is the display and celebration of standing stones. standing(a) stones represent a great deal of meaning to Celts, signifying a rich prehistoric heritage. Anc

The Australian Celtic Festival also holds ceremonies during which flags are unfurled and hoisted. These flags or signifiers make up long signification to Celts. The Isle of Man Manx give is unveiled in one ceremony. The Manx Flag is picture below:

ient standing stones of flagstaff were erected even before the Egyptians build the pyramids. The actual purpose of ancient Orcadians in raising these enormous stone monuments is unknown, but many theories of their meaning exist. Some rely they were for astronomical observation, while others take them to represent territorial markets. As symbols, they signify the power and ancient culture of Celts (the signified).

According to Saussure, "The race between the signifier and the signified is referred to as signification" (Chandler 2004, 6). The physical exercise of sounds as signifier accompany the displays of standing stones, in the form of skirling pipe players. Skirling, a shrill cry or sound, represents meaning to the Celts on a number of levels, from warfare to victory celebration.

uniform the Manx Flag, the welsh Flag is a sign, a recognisable combination of twain a signifier and a specific signified. According to Saussure, "A sign must have both a signifier and a signified. You cannot have a solely meaningless signifier or a completely shapeless signified" (Chandler 2004, 6). The dragon of the Welsh Flag is seen as the impression of national independence by Celts. Henry VII, a Tudor, had common chord fighting standards when facing King Richard III at the battle of Bosworth in the mid-1500s. According to one history, one was a "red ffyry dragon peyntid upon white and Grene Sarcenet" and stood as a tribute to the Welsh people who made Henry Tudor's victory possible (Welsh 2004, 1).

In conclusion, it is readily apparent from an analysis of some of the signs and signifiers of the Celtic Festival that human beings are meaning-makers. By creating and interpreting signs we are able to deduce or posit meaning.
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