Lucia, the benevolent female character who in the beginning of the Inferno arranges for him to be guided through the pit first by Virgil and then by Beatrice, has carried him up the draw summit while he slept. Both the dream and Lucia's component part hand involve ascending, which mirrors the sense's aspiration for salvation. To be saved one must aspire to salvation, which is symbolized by the arduous climb.
The inspired funniness works at several levels simultaneously - as a kind of Pilgrim's Progress that emphasizes the extreme difficulty of purifying the soul before one can be accepted into Paradise, as a lurid and moralistic entertainment, and as a theological encyclopedia
And snatch'd me upward even to the fire.
The Divine Comedy. en.wikipedia.org/wiki/Dante's_Inferno
"Terrible as the lightning, rush'd he down,
of Dante's time. The eagle in the dream is pallening as it swoops down and snatches Dante:
"Assured we are at happy point". His "doubts?chased by certainty and terror turned to comfort on discovery of the truth". Dante forgets his fright and becomes "fearless".
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