American History, The "Roaring Twenties."

" He argues that "On one level the novel can be read as a capitalist f fitted with an unhappy ending" (Lewis 57).

atomic number 53 way to measure dramatic structure is to consider the kin between a protagonenist and an opposite -- person who wants something and someone who does non want him to tolerate it. This analysis suggests that the protagonist/ adversary run afoul does exist in The Great Gatsby, but not in the classical sense de firearmded by Aristotle. Instead of world a relationship formed between characters, the protagonist/antagonist dichotomy appears within apiece character. In this internal relationship, each character is haunted by a unique conflict -- the difference between what they have, and what they want. This is a basic discontent, one that is often believed to be caused by the worship of Mammon.

When reading a escape of literature it becomes apparent that individual spoken communication may be as important as entire sentences. In the Arabic language, for example, the philosophy behind individual words is considered important. Since many of the words in The Great Gatsby are some wealth and money, this forces a mental examination of the attitudes toward money found in the States in general and in this book in particular. In America, it seems to be important to show how much money you have and how much power that gives you. In contrast, in the Middle eastward the exact opposite is true. In fact, there is a Jordanian praise, "he walks behind a wall," which is a fine complim

In an intriguing article, "A Flapper's address to Parents," Ellen Welles Page writes, "We are the Younger Generation. The war separate away our spiritual foundations and challenged our faith. We are struggling to regain our equilibrium. The multiplication have made us older and more see than you were at our age" (2).

While visiting Daisy and Tom, one of the guests asks chip off where he lives. After she learns that Nick is Gatsby's next door neighbor, she states that she is appalled of Gatsby and suggests that he is wealthy because he is "a nephew or a cousin of Kaiser Wilhelm's" (Fitzgerald 22). In Chapter Three, Nick overhears a conversation about Gatsby, where it is again suggested that he grew up in Germany.

Yet this statement carries a new dimension, Gatsby might have "killed a man" (Fitzgerald, 34).

Gross, Dalton; Gross, Maryjean, "Fitzgerald's 'The Great Gatsby'". The Explicator 53: June 1, 1995, 230-232.

The fact that Nick repeats this gossip draws the subscriber to a delicious kind of wondering about the accuracy: Who is Jay Gatsby? Fitzgerald wants the reader to hope that Nick will be able to answer that question. The book is structured in such a way that if Nick does not find out who Gatsby is, because the reader will not find out either.

Page, Ellen Welles. "A Flapper's Appeal To Parents." Outlook. December 6, 1922. Available online at: http://www.pandorasbox.com/appeal.html

Finally, in Chapter 4, Gatsby begins sharing life stories with Nick. Gatsby "admits" that he is the son of wealthy stack in the Midwest and that before the First World struggle "I lived like a young rajah in all the capitals of Europe - Paris, Venice, Rome - collecting jewels, hunting spacious game, painting a little, things for myself only, and trying to forget something that had happened to me long ago" (Fitzgerald 70). Nick suspects that Gatsby is lying, but remains intrigued. After all, Nick exists in a world where everything is for sale, where truth and fantasy constantly in
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