Foreshadowed in earlier mummeries and lavish masquerades, ballet emerged as a distinctive form in Italy before the 16th cent. The first-year ballet that combined movement, music, decor, and special effects was presented in France at the court of Catherine de Medici in 1581. Organized by the violinist Balthasar de Beaujoyeux, it was entitle Le Ballet comique de la Reine. This production was the first ballet de cour, the ancestor of the modern ballet, which influenced the English court masque, a 16th-century pleasure with dance interludes. The first treatise on ballet dancing was the OrchÃ©sographie of Thoinot Arbeau (1588).
The seventeenth cent. saw the major development of ballet in France. At first a court entertainment, the simple entrÃ©es were drawn-out c.1610 and joined together to form scenes, called divertissements, which culminated in a thou ballet. Louis XIV founded the Royal Ballet Academy (1661), the Royal harmony Academy (1669), which became the Paris OpÃ©ra, and the first National Ballet check (1672). All parts were performed by male dancers; boys in wigs and masks took the female roles.
The first ballet using trained women was The Triumph of revere (1681), with music by Lully. Ballet remained a court spectacle and include opera or drama until about 1708, when the first ballet was commissioned for public performance.
Thereafter the form, infused with new ideas, developed as a separate art (although the court ballet go along its historic traditions). Choreographic notation came into being, and for the first time mythological themes were explored.
With the increased influence of the Italian school of ballet, movement became steep and less horizontal, and the five classic positions of the feet, which form the base for the dancers position and movement, were established by Pierre Beauchamps. The costumes, which had been cumbersome with decoration, long skirts, and highschool heels (for...If you want to get a full essay, order it on our website: Orderessay
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